Doors at 9PM. Show at 10PM.
“Good Buddy” is CB Radio code for gay, so it’s a fitting title for FONTINE’s first full-length album. Like a truck driver on the radio, she is a road warrior logging shows all year with her own project or as a collaborator with Boy Golden, Kris Ulrich, Begonia, Georgia Harmer and so many others. And while that trucker-hat-wearing, big-rig-wielding archetype might not usually be associated with soft sensitivity, that middle zone is exactly where FONTINE and this album live. It's a rock record with a mushy middle. It's beautiful and energizing. There's pain and there's catharsis.
FONTINE is Indigenous, queer and a self-proclaimed “real goofy guy.” These things all inform her art. She is the life of the party, her magnanimous laugh and smile filling up any room. But there's also a lot of struggle behind all that. Navigating through relationships beginning and ending, identity exploration, self-doubt, activist frustration, people pleasing and friendship – all rooted in a real sense of place. This is what the album is all about.
In the Ojibway language, the word Zoongide’ewin means “bravery, courage, the Bear Spirit.” It’s no wonder Daniel Monkman adopted Zoon as their musical moniker. The Hamilton- based musician has spent the better part of their 28 years finding and channelling their strength to overcome such adversities as racism, poverty and addiction. Music saved Monkman’s life. And, on Zoon’s debut album, Bleached Wavves, they paint a message of hope and fortitude, lessons they learned studying the Seven Grandfather teachings after experiencing the lowest point of their life.
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