Saskatoon Fantastic Film Festival and the Broadway theatre pays tribute to certified all-timer SAM NEILL by observing three genre classics propelled by three of his most celebrated and adventerous central performances!
7PM
In the Mouth of Madness / 1995/ USA/ Dir: John Carpenter/ 95 Min
Sutter Cane is the best-selling author whose newest novel is literally driving readers insane. When he inexplicably vanishes, his publisher sends special investigator John Trent (Sam Neill) to track him down. Drawn to a town that exists only in Cane's books, Trent crosses the barrier between fact and fiction and enters a terrifying world from which there is no escape. Inspired by the tales of H.P. Lovecraft, this shocking story is, in the words of its acclaimed director, "horror beyond description!"
9PM
Event Horizon / USA / 1996 / Dir: Paul WS Anderson/ 96 Min
When the Event Horizon, a spacecraft that vanished years earlier, suddenly reappears, a team is dispatched to investigate the ship. Accompanied by the Event Horizon's creator, William Weir (Sam Neill), the crew of the Lewis and Clark, led by Capt. Miller (Laurence Fishburne), begins to explore the seemingly abandoned vessel. However, it soon becomes evident that something sinister resides in its corridors, and that the horrors that befell the Event Horizon's previous journey are still present.
11PM
Possession/ Poland/ 1981/ Dir: Andrzej Żuławski/ 124 Min/ Current Rotten Tomatoes Score: 85%
Easily the most harrowing divorce drama ever made, Zuławski’s one-of-a-kind genre pastiche has spy Sam Neill returning to his Berlin home from a mission abroad to discover that wife Isabelle Adjani wants suddenly to split up. Launching an investigation into the reasons for her ever-more-alarming behavior, he discovers a truth more sinister (and nauseating) than his wildest suspicions, as Zuławski’s highly-choreographed cinematic delirium and Andrzej Korzyński’s pulsating score push things light years past over-the-top. Adjani won a César for her performance, one of the most grueling ever caught on film, though later reflected that the palpable ordeal she put herself through on the movie was nearly enough to make her leave acting behind.
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